Dekonstrukcja nowego człowieka. Wygnanie i pamięć w dziele Vladimira Nabokova
| dc.contributor.author | Salha, Agathe | |
| dc.date.accessioned | 2018-05-13T06:27:39Z | |
| dc.date.available | 2018-05-13T06:27:39Z | |
| dc.date.issued | 2017 | |
| dc.identifier.citation | Dekonstrukcja nowego człowieka. Wygnanie i pamięć w dziele Vladimira Nabokova, [w:] Nowy Człowiek: wizje, projekty, języki, pod red. Stanisława Jasionowicza, Kraków 2017 (Imaginarium, 2), s. 185–199, https://doi.org/10.21906/9788376431437.12 | pl |
| dc.identifier.isbn | 978-83-7643-142-0 | pl |
| dc.identifier.isbn | 978-83-7643-143-7 | pl |
| dc.identifier.uri | https://repozytorium.ptt.net.pl/xmlui/handle/item/56 | |
| dc.description.abstract | As a Russian exile, Nabokov was wholly opposed to the Soviet ideology of the “new man.” The theme of memory, essential to his Russian and American novels, may be interpreted as his personal answer and poetical antidote to that modern utopia. This text explores the rich implications of this theme in his two American masterpieces, Lolita (1955) and Speak, Memory (1966). It shows that the accuracy and poetry of Nabokovian memories are not only aesthetic, but also encompass ethical and political meanings. | pl |
| dc.language.iso | pl | pl |
| dc.publisher | Wydawnictwo UNUM | pl |
| dc.relation.ispartofseries | Imaginarium;2 | |
| dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
| dc.title | Dekonstrukcja nowego człowieka. Wygnanie i pamięć w dziele Vladimira Nabokova | pl |
| dc.title.alternative | Deconstructing the Soviet Ideology of the “New Man”: Exile and Memory in Vladimir Nabokov’s Works | pl |
| dc.type | Book chapter | pl |
| dc.identifier.doi | 10.21906/9788376431437.12 | pl |
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